BLOOD WATER PAINT

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Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father’s paint.

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She chose paint.

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By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome’s most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost.

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I will show you
what a woman can do.

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WE ARE THE ASHES, WE ARE THE FIRE

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Em Morales’s older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts–a remarkable verdict that Em felt more than a little responsible for, since she was her sister’s strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em’s family would have real justice.

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But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family’s world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence makes her want to learn “how to use a sword” goes viral.

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From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims.

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GREAT OR NOTHING

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A reimagining of Little Women set in 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister’s point of view, is one of grief, love, and self-discovery.

In the fall of 1942, the United States is still reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.

Under the strain of their grief, Beth’s remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Connecticut, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London–the same city where one Mr. Theodore Laurence is stationed as an army pilot.

Each March sister’s point of view is written by a separate author, three in prose and Beth’s in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one’s way in a world undergoing catastrophic change.

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ENTER THE BODY

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In the room beneath a stage’s trapdoor, all of Shakespeare’s tragically dead teenage girls—Juliet, Ophelia, Cordelia, and others—compare their experiences and retell the stories of their lives in their own terms.

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Enter the Body gives voice to a cast of the young women who die in Shakespeare’s most iconic plays. Focusing on the stories of Juliet, Ophelia, and Cordelia, bestselling author of Blood Water Paint Joy McCullough brilliantly weaves retellings of Romeo & Juliet, Hamlet, and King Lear into a larger story about how young women can support each other in the aftermath of trauma.